{"id":1235,"date":"2014-09-29T14:51:18","date_gmt":"2014-09-29T14:51:18","guid":{"rendered":"http:\/\/pepepisa.com\/?p=1235"},"modified":"2014-10-06T14:47:01","modified_gmt":"2014-10-06T14:47:01","slug":"aymar-de-ville","status":"publish","type":"post","link":"https:\/\/pepepisa.org\/?p=1235","title":{"rendered":"Aymar de Villele"},"content":{"rendered":"

\"invitacion-NEWS\"<\/a><\/span><\/p>\n


Aymar es un artista visual franco-americano. Aunque la mayor\u00eda de sus obras son en \u00f3leo sobre tela, tambi\u00e9n experimenta con otras t\u00e9cnicas y otros medios: tintas, escultura, grabados y hasta animaciones. Naci\u00f3 en Bordeaux en 1973, creci\u00f3 entre Normand\u00eda y Provenza y despu\u00e9s de sus estudios universitarios se mud\u00f3 a Estados Unidos,\u00a0\u00a0para volver 15 a\u00f1os despu\u00e9s e instalarse en Madrid en 2009.<\/p>\n

\"Photo_Aymar\"<\/p>\n

Aymar lleva pintando m\u00e1s de 25 a\u00f1os. Estuvo influenciado desde peque\u00f1o por su familia, ya que tanto sus abuelos como sus padres dedicaban tiempo a la pintura. Conoci\u00f3 joven a artistas productivos como Pierre-Paul Ambroselli, un escultor cuyo taller se encontraba camino de la escuela, Albert Mallet, Bernard Pochon y otros pintores normandos post-impresionistas y post-expresionistas. M\u00e1s tarde fue importante la influencia de pintores provenzales como Maxime Richaud y sigui\u00f3\u00a0su carrera como artista pl\u00e1stico estudiando historia del arte, con la ambici\u00f3n de entender un poco qu\u00e9 es un artista y su papel en su mundo.<\/p>\n

En Estados Unidos empez\u00f3 a desarrollar su t\u00e9cnica trabajando para un gran estudio de Nueva York especializado en dise\u00f1o de escenarios y vestuario de Broadway, as\u00ed como con otras empresas de decoraci\u00f3n en Florida. Despu\u00e9s de muchos a\u00f1os en el ca\u00f3tico\u00a0mundo\u00a0del evento art\u00edstico, prob\u00f3 un cambio radical en el mundo de las nuevas tecnolog\u00edas, mientras segu\u00eda trabajando en encargos de decoradores de Miami.\u00a0Es en 2009 cuando decidi\u00f3 enfocarse en sus creaciones propias como artista a tiempo completo.<\/p>\n

Su trabajo es una consecuencia de todos estos a\u00f1os de trabajo y b\u00fasqueda.<\/p>\n

For those that don\u2019t know me well enough or not at all, this is a quick overview of how I got to painting and why I paint this way\u2026<\/span>

I have been painting for twenty years or so, but my interest started long before that. When my brother and I used to walk back home from school in Normandy (I was around 9 years old) we would always walk by the studio of Paul Ambroselli (sculptor), and I hoped to se<\/span>e him work, talk, and learn from him (overall, bothering him, I guess). I remember going with my parents to visit the local artists and friends such as Albert Mallet (one that you may know). I followed my passion to study Plastic Arts and Art History in Aix en Provence and Montpellier, and then perfected my technique by working as a scenic artist and set designer in the US for a number of years.<\/span><\/p>\n

I have been painting consistently since the late eighties (some years more intensely than others) but this is the first time I dedicate myself to it full time, focusing only on my own creations. Pretty scary choice! But I am already seeing results, and I am loving it.<\/p>\n

About my work as it is today: You could label it as \u201cModern\u201d because it is clearly inspired by expressionism, post impressionism, fauvism, and others\u2026Basically, I’d rather transmit an emotion and express sensations than copy nature (a photo can do that better). I use shapes and colors to create an atmosphere, applying myself to extract the light from the paint, playing with vibrating colors and trying to give life to the scene (sort of like a micro God ;)). Lately, I am experimenting with trees and forests, focusing on the visual effect of the rhythm created by trunks and the light projecting itself through them, in front them or behind them. I want the spectator to feel the place, to project himself into the scene and that is why many times I\u2019d rather not add people and keep the place empty, to give more space to the viewer\u2019s imagination. Ultimately I want my painting to be a little magical.<\/p>\n

Take my world for it: the paintings are better in reality than in these pictures and I am trying to fix that. In the mean time if you are in Madrid, I invite you to come and see them at my studio.<\/p>\n

Once again, many thanks for becoming a Fan, and helping me with the marketing aspect of the trade. Stay tuned and, if you like it tell your friends!<\/p>\n

Aymar<\/p>\n","protected":false},"excerpt":{"rendered":"

Aymar es un artista visual franco-americano. Aunque la mayor\u00eda de sus obras son en \u00f3leo sobre tela, tambi\u00e9n experimenta con otras t\u00e9cnicas y otros medios: tintas, escultura, grabados y hasta animaciones. Naci\u00f3 en Bordeaux en 1973, creci\u00f3 entre Normand\u00eda y Provenza y despu\u00e9s de sus estudios universitarios se mud\u00f3 a Estados Unidos,\u00a0\u00a0para volver 15 a\u00f1os […]<\/p>\n","protected":false},"author":1,"featured_media":1247,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2,3],"tags":[],"class_list":["post-1235","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-artistas","category-exposiciones"],"_links":{"self":[{"href":"https:\/\/pepepisa.org\/index.php?rest_route=\/wp\/v2\/posts\/1235","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/pepepisa.org\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/pepepisa.org\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/pepepisa.org\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/pepepisa.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1235"}],"version-history":[{"count":5,"href":"https:\/\/pepepisa.org\/index.php?rest_route=\/wp\/v2\/posts\/1235\/revisions"}],"predecessor-version":[{"id":1258,"href":"https:\/\/pepepisa.org\/index.php?rest_route=\/wp\/v2\/posts\/1235\/revisions\/1258"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/pepepisa.org\/index.php?rest_route=\/wp\/v2\/media\/1247"}],"wp:attachment":[{"href":"https:\/\/pepepisa.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1235"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/pepepisa.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1235"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/pepepisa.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1235"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}